Garth Graeper
The Sky Broke More
$20.00 | May 2023 | ISBN 978-1-959708-02-5
In stock
Blending ecopoetics, ghost story, and sci-fi thriller, Garth Graeper’s first full-length collection imagines survival in a world where nature, time, and identity are unstable and predatory.
Inspired by sources as wide-ranging as Tarkovsky’s Stalker, the comic book character Swamp Thing, and Romantic visionary Dorothy Wordsworth, Graeper’s The Sky Broke More abounds with transmogrifications. Teetering between intimacy and apocalypse, no body, or tree, or sound stays intact for long. No sooner exorcized from a ghostly possession in the Lake District, the reader is driven back into the water cycle, raining down from the sky to feed plants, or reawakened from a dream, trying to grasp a hand, to remember a face. In this ecosystem, where “caught between tall lilacs / bodies spill,” green meadows offer less a bucolic backdrop than a site of aggressive reclamation. Propelled by terse language and thorn-sharp images, these poems blur lines between inside and out, challenge anthropocentric notions of self, and explore the volatile space between companionship and competition in an age of dwindling resources.
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Graeper’s taut lyric braids human and terrestrial sound and sensation—heartbeat and howling, voice and storm, breath and birdsong—into something both beautiful and unsettled: “a density of voices so absolute, you may hear it as silence.”
—Nancy Kuhl
Garth Graeper writes a beautiful, unsettling kind of nature poetry that can only be written by someone who digs into the dirt, tuning into the sounds, smells, textures and shapes of the natural world. What Graeper finds running through this natural world is a kind of sensory language: the world speaks to the poet with its “tentacles of language.” It’s a physical language, and it is often violent. The poems take place in nature’s “blood rain” and “carnage,” “black marsh forcing/tongue/through tongue.” Graeper’s poems are short but they are immersive, lively, and almost overwhelming.
—Johannes Göransson
In dreamlike, painterly lines, The Sky Broke More describes a world that is dying and burgeoning all at once, where “sap and blood” mingle, and where “one / pale blue flower / on the black / blooms.” Instead of finite endings, there are metamorphoses and—often painful—rebirths, while a terrible and wondrous hybridity holds sway. All is in flux but for one element: voice. In these urgent, deeply felt poems, the artistic urge is what buoys us, and lasts.
—Laura Sims
The earth of these poems is sincere and erotic, fraught with the unraveling of bodies in human damage, yet sounding to heal with each tone. Their care is impressive, and gorgeous. Insistently tactile, communicative, Graeper’s “wild need- / song” threads its ear through prose and verse with equal skill. As though holding Ceravolo to ear, the poet sounds (Dorothy) Wordsworth. Bring your heart close to the moss, travel the worm road, on tones beneath tones, “holy mouth- / to-mouth from under / the mud.” Finding music in language, The Sky Broke More offers gift of passage in dark times.
—Jonathan Skinner
The poems in The Sky Broke More document the difficult work of listening and the powerful attunement it achieves—with our beloveds, with the natural world, with the dead. Graeper’s taut lyric braids human and terrestrial sound and sensation—heartbeat and howling, voice and storm, breath and birdsong—into something both beautiful and unsettled: “a density of voices so absolute, you may hear it as silence.”
—Nancy Kuhl
Garth Graeper’s approach to nature poetry is one of a studious observer of small changes, of how the grass responds to wind, and a deep knowledge of how precarious humans are in the face of it.
—evelyn bauer, Heavy Feather Review
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Garth Graeper is the author of two chapbooks, By Deer Light (Greying Ghost) and Into the Forest Engine (Projective Industries), which was featured in a New York Public Library exhibition about small press publishing. Explorations of place—real, remembered, escaped, imagined—are at the core of his poems. Graeper created a site-specific, handmade Park Book series based on places like New York’s Central Park and Battery Park, which he distributed surreptitiously. During a decade of work as a Brooklyn-based small press editor, Graeper designed and published translations of poets from Sweden, Norway, and Uruguay, as well as works of contemporary American poetry. Currently, Graeper is the Director of Development at a Pittsburgh-area nonprofit.
Press and Reviews
Reviewed by evelyn bauer in Heavy Feather Review
Indy speculative fiction list at TOR.com
Interview and Excerpts at Air/Light